Feeds:
Posts
Comments

Posts Tagged ‘My Fair Lady’

scan0005

Burying my face in lilacs dripping with raindrops, getting my nose all wet and not even caring, was and is a favorite Springly pastime. Lilacs in bloom also meant school was almost over for the year. When I smell them today, decades later, they still smell like almost-summer: delicious anticipation.

*

Lilacs are so insistently fragrant that I used to pick a bunch and put them in a vase on the front porch so I could enjoy them without getting overpowered.

*

I once propped My Fair Lady with a teenage actor who carried silk lilacs and did not know their name. It always spooks me a little when young people don’t know the names of common flowers, but getting a chance to tell them cheers me up.

*

Florence Nightingale wasn’t just a famous nurse—she was also a really talented statistician. She figured out a wild—but accurate—phenology fact: After a very specific amount of days after the last frost, lilacs bloom. I can’t find the amount of days, and it’s bugging me. But it’s been proven.

*

I love seeing lilacs when travelling. Been lucky a couple of times to see them twice in a year—at home and then, in chillier climes, again abroad. Canada has a spectacular lilac arboretum which was in bloom when we visited one late spring. Deep purple, lavender, white, and even the less common pink hedges were lush and lovely for acres. In Scotland winding village roads are dotted here and there with tall hedges. They look exactly right by century-old cottages.

*

One of my favorite writers, Jungian analyst Clarissa Pinkola Estes, tells of a great story of hope that she learned when digging up a leggy and spent lilac hedge. She said despite the fact that it was what she called ‘boots up,’ surrounding it were smaller hedges. They all led to the original plant; it was its parent. The children were all in full and healthy bloom.

*

A neighbor long ago had a house decked out with lilacs—knickknacks, toiletries, even the upholstery on her couch. It’s fascinating how people can take to a flower. Was it all about the color or fragrance? Or did it remind her of someone or something, and she needed to surround herself with a tangible version of the memory?

*

I used to frequent an ancient red clapboard building in a nearby farm town. There I bought jars of wonderful blackberry honey from a similarly ancient beekeeper. In the back, near the hives, were lilac bushes that towered over me. They had the biggest blossoms, the sweetest smell, and were the plummiest purple I’d ever seen. I asked the beekeeper about them and he said they had been cut from prize plants grown long ago and far away. The honey shop is gone, and likely the beekeeper as well. But every May I go back, remember the taste of his honey, and smell the lilacs.

*

Last week I learned lilacs are edible and went a little lightheaded at the thought. First I made an olive oil-almond cake, and then I collected some lilacs. I found a lone lavender bush near an old gazebo at the lake; another old bush in a Methodist beach community near several century-old religious buildings; and visited the plummy purple bushes behind my honey store. Why do lilac bushes so often sit beside old buildings? It’s probably as simple as this: People long ago loved them as much as we do now. Tastes don’t really change.

I went home and made lilac syrup, stirring one cup of sugar into one cup of hot water until the sugar dissolved, then steeped the rinsed blossoms in it until the syrup cooled. The next day I poured some over a slice of my cake.

It’s overwhelming, isn’t it, that we can take in some kinds of beauty through sight and smell, while others we can truly…consume? Beauty doesn’t have to be separate from us, admired and then left behind. As long as we can make lilac syrup, we can actually, deliciously, be part lilac.

IMG_7999

Read Full Post »

I’ve mentioned that I volunteer as a theatre stage technician, which means I wear black shoes and clothes and move set pieces on and off the stage with other techies for local productions.

Right now I’m crewing My Fair Lady, and I’m also in charge of props. That’s all of the stuff that’s handled on stage, all of the envelopes and baskets of flowers and lace fans and five-pound notes that the actors use. I collect it, organize it, work with actors on how to use it, make repairs to it, and return all of the stuff to its original position on and under two long tables at the end of each performance.

Since this is My Fair Lady, which features three teatime scenes, two chocolate-eating scenes, and numerous port-drinking scenes, I also have to provide food and drink for the actors to eat and drink every night.
A word about my philosophy. I believe people see shows because they want to be put under a spell; they want it so much that they pay to be put under it. It’s our job as live storytellers to make sure what we give them—costumes, sets, dialects, props, everything—is as accurate as possible. Any discrepancy risks breaking the spell. The audience is counting on us to carry them along with us for the entire story. It’s an act of great trust. I don’t want to betray that.
On that note, I wanted the stage teatime to be as authentic as possible. The script calls for tea, plain cake, and strawberry tarts, so I made sure the actors were drinking real tea (iced, in this case), and eating plain cake (pound) and real tarts (mini raspberry, because I couldn’t find strawberry). I also added shortbread, ubiquitous at teatime. That’s the tea service for Henry Higgins’s tea above.*
Since we’re on a pretty tight budget, at first I bought cheaper milk chocolate for the actors to eat, but anything creamy gunks up their throats. Speaking like that is bad enough; singing is worse. So I gave the rest of the milk chocolate to an appreciative fellow techie and bought bittersweet chocolate, which is dairy free. No complaints.
The ‘port’ I provide is liberally drunk by Colonel Pickering throughout the show. When something good happens, he heads for the port. When something bad happens, he heads for the port. It’s really cran-apple juice, so I told the actor who plays Pickering that if he has a urinary tract infection, we’re about to clear it right up.

On to fake food, which matters just as much to me.

Lots of actors play vendors and sell goods onstage during the opening scene, and so I asked the director at what time of year the start of the show takes place. I learned it’s in early spring. Thanks to supermarkets, which offer every kind of produce on earth every day of the year, I know most people can no longer tell when a particular food is in season, when it is actually growing in our own regions, but I can. And in Edwardian London in early spring, poor produce sellers would only have access to what they had stored last fall. That meant I couldn’t use the fake summer peppers and zucchini I found in the prop room. Call me crazy to care (and you likely will), but to me it would look ludicrous. I did find lots of fake apples, pears, garlic, onions, cabbage and potatoes**, which were perfect. Then I went to Silverton Farms, bought old bushel baskets for a buck apiece, and loaded them up with the ‘produce’ (above).

The director wanted the kid who handles the garlic and onion basket to do something with them while he was onstage, to look busy with them. So I cut lengths of twine and showed him how to make garlands, explaining that that was what people used to do, and some still do, with alliums. He didn’t have great success making garlands and the director told him to ad lib something else.

So he did. Last night I watched him from the wings, rubbing onions on the front of his shirt the way you would apples, 100% poker faced. Just about killed me. After he crossed offstage, I walked up to him.

‘Saw you buffing the onions.’

‘Uh, yeah.’

‘Do you know what would happen if you buffed actual onions on your shirt?’

‘Uh, no.’

‘The skins would peel off all over the place.’

Silence.

‘Then I guess it’s a good thing they were fake, huh?’

This I was happy to let go, because I figure if it broke the spell for the audience, at least they’d enjoy it as much as I did.

*Why didn’t I fill the sugar bowl or creamer? Because the audience will never see inside them. If we were selling the balcony, I would have filled them.

**Some potatoes are made of painted Styro and some are Poly-fil stuffed in pantyhose. Now you know how to make fake potatoes. I know you’ll sleep easier.

Read Full Post »