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Classic adage:

Tell me what you eat and I’ll tell you who you are.

-Jean Anthelme Brillat-Savarin, lawyer and epicure

Modern adage and same thing:

Walk me through your checkout line and I’ll tell you who you are.

-Elinor Lipman, novelist and presumably epicure

Some say the surest way to learn about past cultures is not by examining their history books, but by examining their cookbooks. Point well taken: The food on your great-grandparents’ table was a manifestation of their priorities, skills and resources. From planning it to growing, harvesting, cooking and serving it, their world and worldview were distilled down to a particular bread and soup. And it’s no different for us today. The food we choose to eat reflects who we are, how we live and what matters to us.

I’ve written before about my mom’s incredible banana bread above. I love it because my mom made it, because it’s said incredible, and because it’s a scratch recipe. That tells you I value 1) caring effort (especially when, in her case, the smell of raw bananas turns her stomach) 2) good food 3) integrity. I still make it today because all of those points matter to me. They are at the heart of who I am.

Think about what you eat and what it says about you. Maybe you have to have your cherry pie with whipped cream because that’s how it was always served at your aunt’s July 4th barbecue. You miss her, and eating cherry pie this way brings her close to you. Maybe you love fried conch. It’s your dream to live in Bermuda, and fried conch transports you to those pink beaches for a few moments. Or maybe you avoided your uncle’s killer yummy baklava until you were 30 because you knew it all but floated in a pound of melted butter and you were afraid you’d love it and bloat up to manatee levels. This shows you loved good food but you were body image conscious.*

Recently I met an Australian in his early 60s. I asked him what he grew up eating, and suddenly he lit up like a firefly, telling me about the fish he and his family caught—speared, actually!—when he was young. And although he had lived in the States for a very long while and had not eaten some of those varieties of fish in decades, he told me he could still remember how they tasted. His love of adventure, fresh food, his homeland, and his family came through with every word and gesture.

It’s a good rule of thumb, actually: Just met someone new and want to get to know him? Ask him what dinnertime was like at his house. Watch his expression and listen carefully to the words he chooses to describe it. His answer will reveal a lot about him, I promise you.

Let’s go one step further: I read about a food historian who could compile a family’s story—its heritage, its strengths and weaknesses, even its dirty laundry—with astonishing accuracy, simply by hearing what that family ate every Thanksgiving. Food and culture are hardwired.

That godawful string bean casserole with the onion topping makes it onto your Thanksgiving every year even though you hate it. You make it because your family loves it, and you love them. That says a lot about you, doesn’t it?

What dishes, flavors and ingredients are essential components of what make you, you?

***

project: you, me and the world: Reminder, everybody—the deadline for your recipes is June 27, 2013. I’m getting some fantastic stuff. Keep them coming 🙂

* My obscure references aren’t always about me!

/okay, fine, this one is too.

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Last summer my neighbor, a lovely English lady, flattered me by asking if I would edit her family recipe for Traditional English Christmas Cake. She considers it an heirloom; and in the hopes that her children and grandchildren would make and enjoy it for years to come, she wanted it to be as clearly written as possible. I edit recipes often for the magazine I work with, but the prospect of doing this gave me chills—good ones.

Start with the fact that I am an Anglophile who has seen many recipes for this iconic cake but have never tasted it. Next, add in the fact that my neighbor is a graduate of London’s Cordon Bleu; she actually made Coronation Chicken for ambassadors and dignitaries for the Queen’s coronation in 1953. Wow. Lastly, throw in the history of the recipe, which goes back centuries. (To give you an idea of how far back I’m talking, a variation calls for 12 marzipan balls to be placed on top, and some historians believe they represent the 12 Titans.) This recipe is a piece of living history, and I was offered the chance to be a part of it. I couldn’t wait.

My neighbor asked that I get the edited recipe back to her sometime in the fall, so in early October I delved into it. She was very happy with my edits and reformatting. Last week she gave me a slice of the fruitcake, which she had made for a garden club holiday party. It was like nothing I have ever tasted, surprising and complex. And a couple of days ago, I made the cake for myself—a little version of it.

The recipe predates refrigeration by hundreds of years, back when brainy and resourceful women figured out how to make food last. This is an example of what they learned. We know adding alcohol to foods preserves them. Here, the extra addition of a double layer of icing to the cake acts as a yummy edible Saran Wrap, helping it to stay fresh for a good month.

Which brings me to my next point, which you were waiting for. The traditional holiday fruitcake is much maligned, and generally I’ll agree it’s well deserved. Store bought fruitcake can be leaden, tough to swallow and moreover dangerous to drop even at short distances. But a homemade fruitcake, made with care and beautiful ingredients? I wanted to see if it was worth making, whether it’s been passed down for so many generations for a good reason, one this generation has missed.*

The first thing you do is roughly chop up dried fruits, like fancy raisins, cherries and unsulfured apricots, and soak them in brandy overnight. Or you can use fruit juice. The next day you make the cake batter and mix the fruit into it. My neighbor said to use only dark colored fruits because it’s supposed to be a dark cake (hence why I used unsulfured apricots), and indeed it is; the addition of brown sugar and a bit of molasses to the batter helps keep it dark, too.

Once baked and cooled, you release the cake from the pan and put it on its serving plate, tucking strips of parchment underneath. This way, after you’ve iced it, you can pull the strips out and discard them. Your plate stays clean as a whistle.

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Next you roll out some marzipan (I used my own, but a good quality store bought brand like Odense works, too) that you’ll use to cover the top and sides of the cake. Set it aside for a minute. Then put some apricot jam and a little water into a saucepan and heat it up so the jam loosens and becomes syrupy. That gets brushed on top of the cake, then you cover it with your marzipan. Here’s how mine looked. It’s a bit of a patch job, but this is home cooking. And Martha I ain’t.

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Royal icing comes next. I have never made it before and was amazed at how easy it is. You put a couple of egg whites into a bowl, beat them a bit, then add confectioners’ sugar spoonful by spoonful until you get the consistency and amount you like. That’s it. If it gets too thick, add a little lemon juice or milk. Mine was almost as gooey as honey, thin enough to pour. I used an offset spatula to coax it down the sides and made sure all surfaces were covered.

Royal icing dries at room temperature, or I should say the top of it dries to a delicate crispness, like the top layer of newly fallen snow. Underneath it stays a bit creamy and soft. Luscious stuff.

If you come from the south of England, you decorate this cake with lots of Christmasy embellishments. If you come from the north, you decorate sparingly or not at all. My neighbor friend is from the south, so I followed her lead.

Below is the cake just after I put on the icing. I put the little bottle brush trees on at this point so their bases would stay affixed to the top of the cake.

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I added tiny pine cones around the perimeter, then while the icing dried I made two rabbits, a fawn and a squirrel out of more marzipan tinted with gel paste. (If I added the animals before the icing dried, their color would stain the icing.)

I’ve been making marzipan animals for years, but they’re always somewhat stylized, less realistic. They’re also quite a bit larger. I have never worked so small as I have here: the largest figure is 1.5″ and the smallest is just 3/4″. But when I started thinking about how to decorate the cake, the thought of making this little woodland scene jazzed me. I loved the challenge, and I love working with my hands. This is something I really needed, especially after the grueling past couple of months. Made me feel human again, like myself again.

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This morning I had a little piece of the cake. The allspice, cinnamon and freshly grated nutmeg are what come through first, heady and wonderfully fragrant. I didn’t taste a whole lot of the alcohol, but that might be because I have a dopey oven, and when I turned the temperature down from 325 to 295 as the recipe instructs, the cake finished baking before it made it to 295. So most of the alcohol probably burned off, and the cake was less moist than it should have been, but I still love it. I was worried that the marzipan and royal icing that covered the already sweet cake would make it molar-looseningly cloying, but I was surprised to find that they were less sweet than the cake, and actually mellowed it.

And it was a little piece, not a big one. My neighbor tells me another reason why Americans aren’t fond of fruitcake is because we’re used to cutting cake in large slices and eating the whole fat slice. But this cake is very rich, very intense. It is not meant to be cut the way you would a Bundt cake. It is meant to be cut in what she called ‘fingers’, in inch-long lengths, the way my mom cuts a slice of banana bread into fifths. That’s all you want at one time from this cake; a little goes a very long way. Which is good because you’ll want the cake made from this ancient recipe to last, you’ll want to have some to nibble on each day as you watch the sky darken, as our ancestors did before us.

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*Guess the answer 🙂

Post script: This is my 100th blog post! Thank you for reading, and I’m looking forward to playing with my food, with you, as long as I can.

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Crayfish and shrimp stew.

Last weekend I drove down to Ellicott City, MD to my college roommate’s house, jumped in the van with her, her three girls and the dog, and continued down to Colonial Williamsburg.

I’m not a serious history buff—I don’t know the Hawley-Smoot tariff from a hole in the ground (it might have been, for all I know)—but I’m one of those people who loves historical places, thinking places, and beautiful places. Factor in good food and we’re golden.

I love that you can wander around most of Colonial Williamsburg and don’t have to pay to do it. I love that the original plank floors in the King’s Arms Tavern are still there, worn and smooth and grey, and that George Washington’s boots crossed them more than once. I love that the place has been so authentically restored that if Thomas Jefferson were beamed back from the dead and dropped onto Duke of Gloucester Street, barring us with our fanny packs and our iphones, he wouldn’t see a thing different than he ever knew.

When I travel I make a point to eat something that the region is known for. Lunch at the Shields Tavern offered some tasty southern/colonial choices. Lordy, how I do love Carolina pulled pork, and I was tempted to get it, but pushed the envelope and ordered crayfish and shrimp stew. Described as an 18th century recipe, it includes tomatoes, vegetables, sherry and seafood. But the addition of that sherry plus a splash of cream really made it a bisque, and it truly lived up to that name: velvety, rich and savory. It was full of calories and full of flavor, and I didn’t care about the first part.

Tender Sally Lunn bread, watermelon-rind relish, those addicting ginger cookies that are sold on the street under awnings—these are the flavors of long ago, carefully recreated to give visitors a genuine taste of the cooking of the area’s English-Scottish settlers. Tasting it is a trip anyway, but if you’re used to Hot Pockets and Yoplait for lunch, it’s even trippier. My favorite dish is Game Pie—rabbit, duck and venison under a crust. Just the description makes my mom squinch her mouth up like Wile E. Coyote when he’s standing immobile just over a cliff and holding a sign that reads ‘Help’, but I adore it. And Colonial Williamsburg’s root beer—sharp on the tongue and intensely flavored—is a standout drink. Not for wusses, and I wish I’d bought a case of it to bring home.

After lunch we did what Colonial Williamsburg is best for: wandering. Photo opportunities are endless for normal people who like to take shots of trees or architecture or an errant fife and drum procession as well as for less-than-normal people who like to take pictures of rusty things and bricks. Three guesses which category I belong in.

Rusty padlock.

Path and boxwoods.

Sleepy ewe.

Bricks in stages of curing.

18th century fence.

Portrait.

Moss and lichen.

Magnolia blossom.

Peeling shutter.

Lightfoot.

Portrait.

Swiss chard.

Hitching post and elm.

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